It starts, innocuously enough, with a dream:
Gordon yawns, and tries to stretch. There's a dull
clunk as the back of his head encounters the wall.
... wait.
Two blinks later he's wide awake, eyes darting wildly and the rest of him still. The train car is
not giving way to his room at Milliways. The clothes he wore to bed have been replaced by a loose-fitting denim getup he doesn't recognize. His glasses are on; he doesn't remember putting them on-
There is no pillow. There is no crowbar to be
under the pillow.
He's unarmed, un-armored, somewhere he doesn't know, and totally, utterly, completely
alone. Oh, there are two other men dressed in the same outfit as him at the other end of the train car, yes, but that hardly counts. He's never seen either of them before. They could be anyone, for all he knows; they have the look of people who want to be anywhere other than where they are now, and to be there as soon as possible. The darker of the two glances his way with an expression of dull surprise. "Didn't see you get on," he comments, and, "This is my third transfer this year."
Gordon's mouth is too dry for him to do anything but struggle for sound. This isn't right. This can't be happening-
-what the
hell is going on outside the window? That's not any city he recognizes. The buildings look like they've been stringing themselves along on the strength of old construction and no maintenance for years now-
"No matter how many times I get relocated I never get used to it," the other man says softly. There's an enormous weariness in his voice; Gordon suppresses a shiver. He moves to pinch himself, just in case. It does nothing.
No. No. This can't be- whatever this is, whatever's going on, this
has to be another nightmare-
"Well," says the first man as the train shudders to a stop, "end of the line."
Gordon's pretty sure he's going to be sick.
He numbly follows the other two men off the train. It's not as if he has much choice. He barely catches a glimpse of his surroundings- a shabby but vast railway station, with a few other trains pulled in and the roof arching high overhead- when a painfully bright light blinds him. One arm comes up reflexively, though too late. As the purple shadows swamp his vision he rubs at his eyes, blinking hard and squinting furiously. The light's already faded, revealing its source: a hovering, metallic thing, almost square in shape, with a glowing red lens or eye or something of that nature at its center. It emits a quiet hum and turns in midair, whirring away towards the rest of the station. There's a voice coming over the speakers, one he's almost sure he ought to know, and oh, God, there's a gigantic screen and a face he
does know is speaking to him and everyone else:
"Welcome. Welcome to City 17," says Dr. Wallace Breen, the man who used to be in charge of Black Mesa.
"You have chosen, or been chosen, to relocate to one of our finest remaining urban centers."There are other voices speaking, an indistinguishable murmur in the distance. Gordon shakes himself roughly and makes his way forward.
"I thought so much of City 17 that I elected to establish my Administration here in the Citadel so thoughtfully provided by our benefactors."There are... security guards? Police? He can't tell. They're dressed and armored like riot cops, but they've got white full-face coverings like mutated gas masks instead of visors. Two of them are arguing with the man who couldn't get used to being relocated. Gordon turns away, looking around for something more hopeful-
"I have been proud to call City 17 my home. And so, whether you are here to stay, or passing through on your way to parts unknown, welcome to City 17."There's a chicken-wire fence at the right end of the platform. On the other side, one of the red-eyed slave aliens he remembers much too well is morosely pushing a broom across the station floor, its whole body hunched to a degree he'd only seen in the nightmare factories of Xen. It lifts its head and looks Gordon's way, silent and miserable; then it turns back to its work.
"It's safer here."Gordon can't get out of there fast enough.
There's a woman, too young to have those lines on her face: "Were you the only ones on that train? Overwatch stopped our train in the woods and took my husband for questioning. They said he'd be on the next train- I'm not sure when that was. They're being nice and letting me wait, though..."
There's a man, old and worn, huddled at a table as grimly functional as the same jumpsuit they all wear: "Don't drink the water. They put something in it to make you forget- I don't even remember how I got here."
There's another man, pacing, frantic, murmuring words that've lost all meaning through repetition. Something about the trains being empty, how they never arrive on time, how you never see anyone really
leaving or
coming but they're always going. Another, angrily muttering about the loss of his suitcase. Two others, side by side, watching another great screen; the shorter confirms what Gordon already knew, that the bearded, turtlenecked speaker is in fact Dr. Breen. The other all but elbows his companion in the ribs and hisses something about this being his base of operations. It's like waking up one morning to hear that Bill Gates really
did manage to take over the world, and by the time Gordon's put the thought of Black Mesa's chief being completely in charge of... wherever this is?... out of his head, his feet have automatically led him through the snaking chicken-wire fencing to an open space where the gas-masked riot police are searching luggage and hassling people. If there's a way out, he doesn't see it-
No, wait. There's one up ahead. The sign says 'Nova Prospekt', and the train on the other side looks nothing like any train Gordon's ever seen before, but it has to be better than this, right?
There's a camera flash as the gate swings shut without warning. As an alarm shrills, a door Gordon hadn't noticed before opens. "You," says the riot cop on the other side, pointing his billy club at Gordon. "Citizen. Come with me."
One of the other cops gives Gordon a shove, and he stumbles forward. By the time he regains his footing, the door's closed behind him. Some poor fool's cries of protest-
"There must be some mistake! I got a standard relocation coupon just like everyone else!"- creep out of a side door before it clangs completely shut. There's nothing here to grab, he notices, nothing to pry loose or pull down or wield in any way, and he's got a nasty feeling that these ... whatever they are... arranged it that way on purpose. The feeling only solidifies when the one in front of him throws open a door to reveal a dingy room with a bloodstained examination chair and an even more bloodstained floor. "Get in," the riot cop growls.
No.
No. Not without a fight. There has to be
something he can grab, somehow-
One by one, the room's surveillance cameras switch off. Gordon's fingers close on a wastebasket propped against one wall. It's pitifully small, made of cheap metal more likely to bend than to do damage, but it's more than he's got otherwise. The riot cop turns to face him.
"Now."
The cop reaches up to pull off his gas mask.
"About that beer I owe you."
"
..... Barney?"
It's him. It's
undeniably him. Oh, sure, he's dressed like every other thug in the station and he's surrounded by the tools of nightmare, but Gordon would know his old friend's face and voice anywhere. It's Barney Calhoun, from Black Mesa.
Alive.The former security guard grins (it's the same
smile, it throws years and years of lines and wrinkles into sharp relief for a moment, but it's still the same smile) and notes, "Sorry for the scare, buddy. I had to put on a show for the cameras. I've been working undercover with Civil Protection-"
Gordon takes a deep breath and steadies his voice. "Barney, what's-"
"I can't take too long or they'll get suspicious," Barney continues, heedless. "I'm way behind on my beating quota."
Beating quota? Gordon almost repeats aloud, but Barney's turned back to the massive computer terminal that takes up most of one wall. The screen flickers into life, and Gordon's throat constricts a moment at the sight of
another familiar face.
"Yes, Barney, what is it?" says Dr. Kleiner. "
I'm in the middle of a critical test..."Barney shakes his head ruefully, glances Gordon's way. "Sorry, Doc, but look who's here."
"Great Scott! Gordon Freeman! I expected more warning."So did I, thinks Gordon, who's too overcome to do more than raise a hand in greeting.
I'm home, oh, God, I'm home. And it's all wrong...He looks up as Kleiner notes,
"Alyx is around here somewhere. She
would have an idea of how to get him here." He's heard that name before, hasn't he?
There's no time to think it over, though. Barney's talking about checkpoints, and not having time- and someone's knocking at the door. Loudly. As the transmission cuts off Barney mutters, "That's what I was afraid of! Get out of here, Gordon, before you blow my cover!" He jerks open the door to a half-empty storeroom and gestures frantically. "Out the window. Keep going 'til you're in the plaza. I'll meet up with you later..."
The door closes, leaving Gordon in a whirlwind of silent confusion amidst a clutter of neglected boxes.
"Let me read a letter I recently received," says Dr. Breen from yet another vast screen. This one hangs inside a municipal building where jumpsuited citizens listlessly shuffle about their appointed rounds under the blank and pitiless gazes of masked Civil Protection officers.
"'Dear Dr. Breen. Why has the Combine seen fit to suppress our reproductive cycle? Sincerely, A Concerned Citizen.'"There has to be an exit around here somewhere, doesn't there? Barney mentioned a plaza, and all these people have to have come in from someplace else, right?
"Thank you for writing, Concerned. Of course your question touches on one of the basic biological impulses, with all its associated hopes and fears for the future of the species... "The first few doors don't work. Breen continues to ramble on. Gordon realizes, with growing horror, that his old boss-of-all-bosses is speaking on behalf of some agency infinitely more powerful than himself. And it only gets worse from there; if he's understanding correctly, these Combine've made human reproduction impossible- and tried to pass it off as being for humanity's own good. Worst of all, Breen seems to
believe it- to agree with it, and to praise it. The door to outside can't open an instant too soon for Gordon's liking; he all but collapses in relief on the external steps of the building...
"-beginning with the basest of human urges: The urge to reproduce," Breen's voice continues from overhead speakers.
Dammit. "We should thank our benefactors for giving us respite from this overpowering force-"There has to be
somewhere he can get away from Breen's droning long enough to think. If he can just find someplace out of the way, he might have a chance of pulling himself together before Barney comes along to find him. There's got to be somewhere, right?
Right?
It should have been so
simple, he thinks, doggedly walling out the sounds of gunfire. There'd been an alley within sight of the plaza; he would've waited there for Barney, caught his breath, figured out what was going on-
But the other cops had shouted at him to move along. He'd gotten himself lost trying to work his way around to the municipal building and seen things he probably shouldn't. Wreckage, fine, posters, fine, even the two masked cops beating up a cringing, jumpsuited woman in another alley; he could handle all that, almost. But the
thing that stood over it all was thirty feet or more of spidery leg and a central mass the size of a Volvo, and the gun that hung from its underbelly like some obscene ovipositor swung as it moved in the way that only living things can quite manage. It was no Xen species Gordon had ever seen, but something worse by far, and it had turned to
look at him.
He'd broken. He'd run. There'd been a side street and an open door and stairs leading upwards into the building's dingy heart. There'd been people-
Behind him the whirring grows louder, the camera-bot drawing relentlessly closer.
He's running. He's running as fast as he dares across the rickety wooden slats that bridge the gaps in the roof of what was once a decent apartment building. Where he's running to he doesn't know, but he can't let them catch him, can't let the camera-bot flash him in the eyes-
There are boards slanting from the corner of the roof down to a ledge as narrow as any he'd ever had to walk at Black Mesa. He doesn't trust them. He makes the jump instead, just barely, and skitters along with his back against the next building's wall. The camera-bot never falters, even as he tries to scramble up a slanted tile roof to somewhere that a flash in the eyes won't mean a lost grip and a fast death. He ducks his head and closes his eyes, hard, as the thing swings around in front of him. There's a
click and a flash, but he's not blinded this time. In fact, he can see that the ledge ahead of him shows signs of recent maintenance. Someone's left a paint can out. As the camera-bot bobs and dives towards him Gordon grabs the can by the handle and swings it upward with all the force he can muster. The shower of sparks and smoke is immensely satisfying for the instant it takes for the damn thing to
explode into Gordon's face.
If there's anything to be heard over the sudden ringing in his ears, Gordon doesn't know about it. He's lucky he's not blinded as well as deafened; the chunk of machinery that flew his way caught his forehead, but not his glasses. As it stands he's barely able to keep moving on the ledge without losing his footing. At least there's an open window just ahead; he can get through that without
too much difficulty, and wait for the spinning to pass.
But as his hearing comes back and he can lift his head again, he can hear the sound of booted footsteps coming up the nearby stairs...